I am wondering where Romaine Brooks’ lost drawings and paintings are. There are so many intriguing clues scattered throughout her letters, papers, and last audio interview. We have reason to believe that somewhere out there are early works from the Capri period, as well as portraits and still-life pictures such as the one Freer bought from her when she was still painting in bright colors. And what of the drawings she refers to in her interview from late 1967 or 68? What were they of? Nudes of Natalie? Portrait sketches? We now know of works from only two periods, and yet she tells us she drew all the time, and Natalie Barney inquires in their exchange of letters whether she has been drawing to amuse herself.
Despite the many masks I have removed from Romaine, it seems as though even more mysteries remain for future researchers to discover.
I’ve just returned from listening to a long-lost analog recording of an interview with Romaine Brooks at age 94. What a fabulous experience! It’s in French, but is being transcribed in English through the generosity of another researcher, translator Suzanne Stroh. What an incredible thrill to finally hear Romaine’s voice! I now understand why she was celebrated for her speaking voice. She spoke French with what people said was a “charming American accent”, and it is perfectly clear that despite living in Europe — mainly France and Italy for most of her adult life — she always thought and titled her drawings in English in her notebooks.
In the interview, she was asked if she’d created drawings other than those that appeared in the 1968 issue of Bizarre — an issue devoted entirely to her with essays by Paul Morand, Eduard MacAvoy, Michel Desbrueres. She responded, “I’ve drawn throughout my life.” So, folks, where are the other drawings??? We only have access to a sampling from two periods of her lifelong output. Where are the rest??? We really don’t know. Did she destroy them? What would they have looked like? Was her style consistent? Much like Frida Kahlo, Brooks is on the threshold of a total reassessment. Who knows what works may still be out there?
Treasure hunters, unite. We need to ferret out her other works.
Here you see Lily de Gramont and Natalie Barney on their honeymoon at Niagara Falls, just prior to returning to France where they united with Romaine Brooks to form the stable three-way family of choice that lasted until Lily’s death in 1954. Who knew?! (Romaine Brooks: A Life tells all!)
FYI: I will be on a panel at the International Biography Conference to present new information on Romaine Brooks that will turn Romaine Brooks studies on their head.