Romaine Brooks’s Villa in the hills of Florence is being restored. This is the place that she and her lover Natalie Barney suffered privations and constant threats of being sent off to an internment camp in Parma before deportation to a concentration camp because of being foreigners, and in Natalie’s case having Jewish blood during WWII.
I am wondering where Romaine Brooks’ lost drawings and paintings are. There are so many intriguing clues scattered throughout her letters, papers, and last audio interview. We have reason to believe that somewhere out there are early works from the Capri period, as well as portraits and still-life pictures such as the one Freer bought from her when she was still painting in bright colors. And what of the drawings she refers to in her interview from late 1967 or 68? What were they of? Nudes of Natalie? Portrait sketches? We now know of works from only two periods, and yet she tells us she drew all the time, and Natalie Barney inquires in their exchange of letters whether she has been drawing to amuse herself.
Despite the many masks I have removed from Romaine, it seems as though even more mysteries remain for future researchers to discover.
Hi, all! Just letting you know about a great online event put together by a colleague of mine. Please tune in for Suzanne’s site reopening on Thursday, October 31, 2013 at www.suzannestroh.com.