A terrific and timely interview with me in Ms. Magazine by Mary Meriam.
Sexual politics are alive and flourishing in the GOP presidential race and in the current debates regarding Hillary Clinton’s qualifications for the office. So having independent women like Romaine Brooks and her circle, having their say about real women’s lives and creativity is a blessing.
Romaine’s circle of women and lesbians forged their own notions of a room of one’s own, in their case several houses and shared households, as well as space to spread their creative wings wide. Their notions of how to live authentic lives are much more contemporary than they have previously been given credit for.
Not everyone will want to emulate their lifestyle, but we have to give them full credit for demanding one given the limitations placed on women during the interwar period and beyond.
Wishing each and every one of you Brooks fans a very happy holiday and a good New Year. Let’s lift a glass to our girl.
2015 has been a banner year for all things Romaine. After 40 plus years of on and off energy devoted to rediscovering the real Romaine Brooks my new book completely revises how the artist and woman is seen. I count myself very happy to finally see this critical biography in print. Be sure to catch our recent panel of November 12 on the Leslie Lohman Museum in New York City web site.
As an added bonus a spectacular show of Romaine Brooks’s work opened on my birthday, December 18, at the Fortuny Museum in Venice, Italy. It is a groundbreaking showcasing her many faceted talents as a world class artist, designer and stylist. All points my new book Romaine Brooks: A Life highlights. I am happy to report that the show has been so successful that its run has been extended past its original closing date. More good news is that the catalog is being translated from the Italian into English.
Put June 10, 2016 on your calendar, when The Smithsonian American Art Museum in Washington, D.C. opens an exhibition of Romaine’s works from their collection. My biography will be available for purchase in their book store. So Brooks fans, let’s celebrate and keep these dates in mind for the coming year.
Even I sometimes wonder but am consistently reminded why. As a biographer, researcher, art critic and writer, tedious as tracking these things can be, it’s worth the effort. A case in point is Romaine Brooks and her vague connection to the Bonapartes’ family tree. The question as to which branch comes up in her memoir and now — suddenly — in a Barney letter that is for sale on eBay. One path leads to another entirely.
Independent of the Bonaparte question, tracking down the connection becomes more interesting when you consider that it will establish a date for when Natalie was in Nice visiting Romaine. It requires re-reading of other biographers to see if they are aware of the resulting dates. After that, there’s the cross-referencing of information as the pieces of various puzzles begin to fall into place. And then it’s back to re-checking my chronology of Brooks’ life to see if everything fits.
This is why the small details count in the larger picture of reconstructing a subject’s life and understanding how they lived it as much as anyone removed from a life can.
If you want to read a fictionalized adventure in biography, try Possession. For added enjoyment, see the film.
Stranger things have happened. I am not a regular troller on eBay but I do try to keep up with anything Romaine Brooks in the slim hope that something valuable for my research might show up. A couple of days after my talk at the Smithsonian, I saw an eBay auction for a portfolio of Romaine’s drawings — 70 of them!
As those of you who keep up with me and Romaine know, Suzanne Stroh and Jean-Loup Combemale recently completed a translation/transcription from the French of a 90-minute-long audio interview with Romaine. They determined that it was conducted as part of a planned series of interviews of which this is just one–and truncated at that. (We do not know where the rest of this recording is or where the others may have ended up. Add that to the “future research” list.) What we have determined is that the interview was completed in the summer of 1967 in Paris, perhaps at Natalie Barney’s home. Significantly, Romaine says that she “reworked” a series of drawings from her portfolios for the Smithsonian in conjunction with her upcoming exhibition there.
Could this portfolio be one of these? I contacted the bookseller, who is French. I’m working to track down the buyer and find out what his/her interest is, whether there is more Brooks information, and whether he/she is a collector of Brooks items. I am also trying to date and track the Barney letters from that eBay auction to determine exactly when Natalie was in Nice visiting Romaine. The backstory on the items is intriguing, and as I discover more I will keep you updated.
A writer’s life is simple. We go through our daily lives in the flow, letting life flow through us. I write every day. I get up early in the morning. Feed the newly adopted rescue. Put up the coffee, get some cereal, and sit down on the couch and just let the words and ideas and connections flow. I rarely, almost never, have writer’s block and am as happy as a clam just being able to have the time to get my thoughts and impressions down on paper. Writers — contrary to what many may think — do not necessarily lead glamorous lives (although some may). Generally we simply sit down (now with our computers and tablets) and go to work. It little matters whether we get paid. Although we do want to get paid for our work, that we write is the main thing — to get our ideas out there and let our audiences come as they may if they have an interest and like what we say and how we say it. So, for now, that’s my writer’s life. How about yours?